News and Events
Beyond chattel slavery, who really built the global plantation complex? This lecture takes a global, longue durée approach, challenging the assumption that plantations relied solely on chattel slavery. Randy M. Browne reveals that planters were insidiously flexible, extracting labor from a wide variety of coerced workers, including convicts, indentured servants, and nominally free wage laborers across the Americas, the Indian Ocean, and Australia. What united these workers was the shared experience of forced migration, dispossession, and crushing violence.
The workshop is sponsored by the "Transdisciplinary Research Area 5 - Presents Pasts" and the “Bonn Centre for Dependency and Slavery Studies” of the University of Bonn. Funded as part of the Excellence Strategy of the federal and state governments. No registration needed for in person attendance
Palm oil can be found in nearly half of all supermarket products and is also used as a biofuel. Indonesia and Malaysia supply about 80 % of the world’s demand. Although promoted as a tool for reducing CO₂ emissions, palm oil cultivation drives deforestation, biodiversity loss, and deep social inequalities in Southeast Asia. Kristina Großmann, Investigator at the Bonn Center for Dependency and Slavery Studies and Professor of Southeast Asian Anthropology at the University of Bonn, will explore whether certification programs and the idea of a “Just Transition” can help resolve this dilemma.
How can film help us see histories that have long been hidden — from the forced labour on indigo plantations in Haiti to the influence of Christian missions on fashion in Namibia and Jamaica? Beyond documenting the past, film can challenge dominant narratives, unearth silenced voices, and spark new ways of thinking about heritage, memory, and Afro-Indigenous knowledge. We warmly invite you to attend the film screening and public round table with film directors Dr. Joseph S. Jean, Yohannes Mekonnen, as well as curators Dr. Beatrix Hoffmann-Ihde and Jun.-Prof. Dr. Julia Binter. The audience is warmly invited to join the discussion and share drinks at the finissage reception! We will be screening two films by Haitian archaeologist Sony Jean and the Global Heritage Lab’s Visual Anthropology Fellow Yohannes Mulat Mekonnen.
Before transatlantic slavery, European colonial powers used contract workers. After Britain abolished the slave trade in 1807/08, they sought new markets, especially in Latin America, and needed a wage-earning population. By the 1820s–30s, the idea of wage slavery emerged. In 1834, the British introduced the apprenticeship system in their colonies, a compromise with slave owners, until it collapsed in 1838 due to resistance. Still, it inspired the Indentured Labour System, bringing hundreds of thousands of Asian, African, and European contract workers to Caribbean plantations between 1833–1873. This lecture explores how brutal labor systems shaped global market development, focusing on Trinidad and Tobago, Guyana, and Curaçao.
As part of the supporting program of the International Silent Film Festival (7-17 August 2025) in Bonn, we warmly invite you to a lecture and Q&A by cultural scholar Yumin Li. In her talk, Li shares her research on the remarkable international film career of "Show Life" (German: "Song") actress Anna May Wong (1905-1961). Li highlights the importance of the Chinese-American actress as a pioneer in film history. As the first Hollywood star of Chinese heritage, Anna May Wong is today seen a symbol of self-empowerment. To experience Anna May Wong on screen, join us for an open-air screening of her film "Show Life" (German: "Song") the night before, on 15 August 2025 at 22:00 at the Arkadenhof of University of Bonn.
The purpose of this workshop is to analyse and discuss the underexplored gendered dynamics of asymmetrical dependencies in which Late Antique elite women and their dependents participated. By engaging with material across various types of sources, such as papyri, epigraphy, curse tablets, legal codes, historiography and religious texts, we hope to illuminate how elite women interacted with the large variety of people who depended on them, from enslaved attendants and servants to clients and other beneficiaries of patronage.
This interdisciplinary workshop on body history and experiences explores strong asymmetrical dependencies from the perspective of the body and experience. The workshop will build upon the agenda and insights generated by the existing Working Group "Body History," which was established in March 2024. Through cross-disciplinary perspectives and discussions, during the workshop meetings, we deepened our understanding of how embodied experiences have been shaped by various dependencies throughout history. The aim of the workshop is to build on the established insights and questions in order to expand and deepen the conversation on interdisciplinary approaches to body history and experiences by historians, anthropologists, archaeologists, and other disciplines. Find the program below. Please note: Registration required as there is only limited seating!
This lecture uses a range of printed materials and analytical methods to address the vocabulary of slavery in England during the long seventeenth century and traces what was an important process of vernacularisation. Moreover, it aims at identifying the kinds of socio-economic, gendered relations and tensions, that the language of slavery was used to characterise, as well as the semantic stability (or not) of the vocabulary over time. In so doing, the lecture also begins to assess the impact of colonial developments on vernacular discussions of the social order: not least the institutionalisation of indentured service and racist chattel slavery in the Caribbean and American seaboard.
How has Western morality reshaped Indian ideas of the body and performance? This research explores how colonial and postcolonial ideologies impacted Indian expressions of gender and sexuality, especially through dance and performance. Focusing on gay Indian dancer Ram Gopal, my recent book (2024) traces how he navigated cultural tensions in mid-20th-century Europe. Colonial rule and later nationalism imposed Victorian ideals, marginalizing traditions like devadāsīs, hijras, and folk performers, creating a "double dependency" on both colonial and postcolonial norms. Today, artists are reclaiming these forms through performance, film, and cross-disciplinary work, drawing on mythological figures like ardhanārīśvara and Bahuchara Mata. This lecture examines these efforts and the enduring power dynamics shaping memory, identity, and cultural expression.
How did issues of intimacy, like sexuality, pregnancy, coercion, and family, shaped enslaved women’s decisions to resist during slave rebellions in the Caribbean and U.S. South? This lecture explores how reproductive autonomy, kinship, and sacred knowledge influenced enslaved women’s resistance, often overlooked in historical archives and scholarship. From ending pregnancies to escaping with children or forming maroon communities, women resisted both bondage and the exploitation of their bodies. This work-in-progress highlights how family and intimacy were central, not peripheral, to the politics of rebellion and the fight to undermine the capitalist logic of Atlantic slavery.
Geliebte Sklavinnen. Deutsche Kaufleute und ihre versklavten Frauen in der Second Slavery Noch bis um 1860 spielte sich die breite globale Wirtschaftsdynamik des globalen Kapitalismus vor allem in Kolonien oder ehemaligen Kolonien ab. Viele deutschsprachige Männer drängten damals in diese "Erste Welt" des Wirtschaftswachstums, der Modernität und des Profits. Diese jungen Männer konnten, falls sie nicht durch Sklavenhandel reich geworden waren, nicht in die traditionelle Land- und Sklavenbesitzerelite einheiraten, weil sie dort als Emporkömmlinge galten. So lebten sie meist mit "Sklavinnen-Geliebten" zusammen. Diese Sklavinnen waren fast immer sehr jung und überlebten ihre "geliebten Eigentümer". Die meisten dieser Sklavinnen wurden von ihrem Eigentümer nach dessen Tod testamentarisch frei gelassen und bekamen einen Teil des Erbes - mit dem sie selbst wiedeurm SklavInnen kauften und zu SklavenhalterInnen sowie zu Führungsfiguren einer jeweils lokalen farbigen Sklavenhalterelite wurden.
Join us on Monday, 2 June, when we screen and discuss two short documentary movies from West Africa, both linked by the themes of (social media) activism, slavery, violent repression, and the fight for visibility and recognition of rights, dignity and freedom: - Ganbanaaxu Fedde: A Transnational Anti-Slavery Movement (2024) by Lotte Pelckmans - 3 Stolen Cameras (2017) by RåFILM and Equipe Media The event is part of our film and discussion series WHO'S GOT THE POWER, jointly organized by the BCDSS and Förderverein Filmkultur Bonn.
Gemeinsam mit renommierten Expert*innen aus Wissenschaft und Gesellschaft gehen wir im Semester wöchentlich auf eine DenkReise zu wünschenswerten Zukünften unterschiedlicher Lebensbereiche. Unsere Gäste stellen ihre Forschung vor und diskutieren mit Studierenden, Nachwuchswissenschaftler*innen und der interessierten Öffentlichkeit. Am Ende des Semesters folgt nach den Reisen im Denken eine gemeinsame Reise als Exkursion zu einem thematisch einschlägigen Ort.
This workshop will bring together a diverse group of scholars to consider the family in the Islamicate world as a locus for understanding coexisting and at times overlapping forms of dependency. Far from thinking of the family as a monolithic, static entity, this workshop seeks to create a comparative space for mapping out the variable and ever-changing ideas, practices, and processes that formed the family in distinct historical contexts, while also attending to common threads such as legal frameworks and elite female seclusion. Thinking in terms of frames including the conjugal family and the household, lineage and descent, and broader kinship networks, participants will consider how family relations could both limit as well as provide opportunities for agency, alongside shaping senses of affiliation, belonging, and identity. Registration by 30 May via ekalb@uni-bonn.de or bbayrakt@uni-bonn.de.
3:40–4:00 pm: Book promotion "Every Monument Will Fall: a story of remembering and forgetting" 4:00–6:00 pm: Presentation and discussion "'Crumbling is not an Instant's Act': thoughts on monumentality, endurance, and public memory" Presenter: Dan Hicks Discussants: Julia Binter and Sophia Labadi
Public discussion: "From Streets to Front Pages: The Media Stories of Contested Statues of enslavers and colonial figures since 2020" Presenter: Sophia Labadia Discussant: Julia Binter
During Heritage Week, various institutes of the University of Bonn are inviting scholars to participate in open conversations and critical reflections on a range of approaches to heritage in a global context. The proposed agenda includes the following topics for discussion: the relationship between nature and culture, the concept of sustainability, the indigenous heritage of the Americas and Africa, and the coloniality of statues and monuments.
On 15 May 2025, two exhibitions will open in the Global Heritage Lab, P26, at the University of Bonn. The exhibition "Dressing Resistance. Fashion and the Heritage of Mission" explores the question of how Christian missionisation has influenced fashion in Africa, Latin America and the Caribbean and how fashion designers and artists deal with this legacy today. It builds on an international conference with academics and cultural practitioners at the Global Heritage Lab. The exhibition "Enmeshed and Entwined - Fabrics of Dependency" by the Bonn Center for Dependency and Slavery Studies (BCDSS) and the Bonn Center for Digital Humanities (BCDH) discusses the social entanglements and asymmetrical dependency relationships inherent in one of our oldest cultural assets. Opening hours of the exhibitions: 16.05.2025-12.10.2025, Wednesday-Sunday, 2-6 pm, Global Heritage Lab, Poststraße 26, 53111 Bonn
The 1874 painting 'The Acrobats' offers a glimpse into the lives of children performing in the circus 150 years ago. But does it also tell us something about the vulnerability of 'children in entertainment' and 'child performers' in general, both then and now? Find out more at the BCDSS station at this year's Uni Bonn Science Rallye!
The "afterlife of slavery," a concept coined by Saidiya Hartman and rooted in the work of Hazel V. Carby and Hortense Spillers, explores how the legacy of transatlantic slavery continues to shape American life. Toni Morrison's 'Beloved' (1987) is often cited as central to this framework. Yet in 'A Mercy' (2008), Morrison imagines a world outside the constraints of this legacy, set in a time before slavery's full establishment. This lecture examines how Morrison's later novel engages with, or departs from, the afterlife of slavery, focusing on archival materials that reveal her role in shaping its publication. Professor Kinohi Nishikawa teaches African American Literature at Princeton University. He is the author of 'Street Players: Black Pulp Fiction and the Making of a Literary Underground' (University of Chicago Press, 2018), and co-editor of 'Sites of Memory: Toni Morrison and the Archive'. His work has appeared in 'ASAP/Journal', 'American Literary History', and 'Novel'.
Over the course of millennia Indigenous and European cultures profoundly diverged in how they organized their relationships with other animals. Sixteenth-century European authorities understood these differences in terms of cultural evolution and diabolism: they framed animal husbandry as a mark of civilizational advancement, and, relatedly, viewed many forms of animal subjectivity as potentially demonic. These discourses have seeped into modern scholarship and distorted or even erased the myriad ways Indigenous people interacted with and thought about other-than-human creatures. In particular, scholars have ignored or misunderstood practices of familiarization – the taming of wild animals undertaken for affective, spiritual, and political reasons. In this talk I will explore the entanglement of colonial discourses of domestication and diabolism, and familiarization practices among Nahua, Zapotec, and Mixtec communities before and after Spanish colonization.
Join us at the University of Bonn's Dies Academicus on 14 May, where BCDSS Fellows Evelyn Hu-De Hart, Christine Whyte, and Aleksander Paradziński will provide insights into their current research projects.
Amid escalating geopolitical instability, authoritarian retrenchments, and the deepening securitisation of knowledge-making, this conference critically examines how entrenched knowledge dependencies continue to shape practices of future-making—and how more equitable futures might still be (re)imagined. From the weaponisation of AI to the erosion of indigenous, activist, and academic freedoms, and the constraints of donor-driven agendas, we ask: How is knowledge circulation mediated? Under what conditions have alternative epistemic futures emerged—in the longue durée and within present formations?
How did jailing function in Ming China? This talk, based on Ying Zhan's book, rethinks the patrimonial bureaucratic system through the lens of vulnerability and dependence. It explores how bureaucrats experiences of jailing revealed the state's reliance on the patriarchal family, their complex relationships with lower classes, and how women used these crises to assert agency. By integrating comparative prison studies and family history, she will examine the social impact of jailing and the role of patriarchy in the Chinese bureaucratic empire.
What do we do with the wounds of a people and a nation? Like the doubting disciple who longed to touch Jesus's side, we must confront wounds, understanding their stories and the healing they signal. How does Black theology help us interpret the legacy of the Middle Passage, the GI Bill benefits denied to Black veterans, or the plight of shackled Black women inmates giving birth? Through Black theology and a womanist lens, this lecture explores why memory is crucial for healing and justice.
Walther Maradiegue and Sophia Labadi will discuss the sonic afterlives of heritagization in an indigenous Peruvian community, analyzing a Cañaris protest against the government's denial of their existence and land rights, arguing they challenge state recognition through performance and sound. The protest reenacts Tupac Amaru II’s 1781 execution alongside the state-recognized ‘Danza de los Guerreros Cascabeleros.’
How did racism come to be? Just as race is not a biological reality, racism is not inherent to human nature. It was invented and sustained through historical encounters, economies, and religious traditions—especially in North-South interactions. This presentation compares the history of racism in the U.S. to current developments, highlighting not just divide-and-conquer tactics but also "unite-and-conquer" strategies that reveal deeper complexities and potential solutions.