All Events
Join us on 25 March, 2025 for the screening of 'Matses Muxan Akadakit', a captivating movie about the Matis tattoo celebration directed by the indigenous Matis people. The first training courses for Matis filmmakers began in 2015 through audiovisual workshops organized by the Manaus Indian Museum and the Indigenous Work Centre (CTI). On that occasion, several young people were chosen by the dadasibo (the elders) to represent their people through this art. In 2018, the Matis filmmakers made several short films about the cultural importance of the tedinte (the blowgun). The film about the tattoo festival represents a new stage in the training process of these young filmmakers. It was entirely filmed and documented by them, who decided to sign it as a collective work, directed by the “Matis people”. The screening will be followed by a public discussion with the film directors. To register, please send an email to Taynã Tagliati by 21 March.
What if enslaved and formerly enslaved literary workers played a crucial role in the composition of the Synoptic Gospels? This lecture challenges assumptions in New Testament scholarship’s “Synoptic Problem,” which explores the literary relationships between Matthew, Mark, and Luke. By uncovering the invisible labor of these uncredited collaborators, this article reimagines gospel writing and expands the boundaries of New Testament studies.
"Nachorious: The Nach Gyal as Post Indenture Caribbean Feminist Jouvay Mas" This mas commemorates 180 years of the Indian ‘nautch girl’ – dancer, courtesan, tawa’if, devadasi, widow, bazaar woman, and rand or randi prostitute or sex worker – escaping British imperialism, dispossession, criminalization, evangelism, political punishment and impoverishment through the journey of indenture. Stereotyped as notoriously immoral and sexually loose, the indentured Indian woman was considered a threat to the system itself. Remembered through the character of the nach gyal, Nachorious, she still dances in the spirit of freedom and resistance. This Jouvay mas is made with indenture records from 1867, text from Mahadai Das poetry and scholarship on the nautch girl, a nach gyal figure whose spinning in the air will be a dance of life, and ghungroos to sonically memorialize this history as it became ours in the Caribbean. To register, please go to the link below.
Christian missionaries pressured women in colonial contact zones to dress more ‘appropriately’ according to European understandings of Christian modesty. At the same time, access to new material goods was one of the attractions to convert. New converts and missionaries actively negotiated the re-composition of local and European fashion styles and, related to this, new forms of body and gender norms and identities. The recomposed forms of dress evolved constantly, gradually acquiring the status of ‘traditional’ dress and becoming materialisations of cultural identity and belonging. Yet, against the backdrop of postcolonial critique and the latest decolonization movements worldwide, the perception of these on-going fashions is currently shifting and being questioned as part of colonial legacies. Given these historical processes, how can we rethink dress and fashion not only as cultural expressions but also as archives of lived experiences, contestations, and resistances?
Tuli Mekondjo’s performance "Saara Omulaule/Black Saara" (2023) was improvised & inspired by Kari Miettinen’s book "On the Way to Whiteness – Christianization, Conflict, and Change in Colonial Owamboland, 1910-1965". The Finnish Sunday school song about “Black Saara – the little Negro girl” prompted a visceral response and an avenue of questioning for Mekondjo. She asks: “What made my ancestors (Aawambo people) convert to Christianity during the period 1910-1965?” The artwork evokes the need for ritual practices on living bodies as an attempt to awaken their souls from spiritual death in order to connect to our ancestors. This practice insists on the imperative performative action carried forward by ancestors, whose remains are still kept in the bondage of colonially created museums and missionary-made cemeteries. Mekondjo’s use of food, ritual and medicinal items to install the performance video are a way to connect ancestral spirits with the digital manifestation. PW: olukonda
How did marginalized groups in rigid societies find paths to economic and social mobility? In the Roman Empire, lower-class individuals navigated established systems and forged their own routes to upward mobility, often through local professional and voluntary associations that linked them to the elite. This talk will examine epigraphic texts and Roman naming practices to explore how enslaved and freed individuals—excluded from traditional networks—leveraged their official organization, the familia publica, to engage in civic life, public events, and socioeconomic structures. This case study sheds light on asymmetrical dependency in Roman society and speaks to modern debates about the lasting impact of enslavement.
Join us to the launch of "Versklavung im Atlantischen Raum: Orte des Gedenkens, Orte des Verschweigens in Frankreich und Spanien, Martinique und Kuba (Enslavement in the Atlantic World Sites of Remembrance, Sites of Silence in France and Spain, Martinique and Cuba)", the latest work by Ulrike Schmieder, professor at Leibniz University Hannover. This book explores the memories of Atlantic slavery in museums, public spaces, and historical sites in France and Spain, as well as in Martinique and Cuba. Using oral history methods, it investigates the topography of memory and the social context of remembrance sites.
Join us on April 29th when Theresa Wobbe, BCDSS alumna, will discuss the recently published book “Sklaverei, Freiheit und Arbeit: Soziohistorische Beiträge zur Rekonfiguration von Zwangsarbeit,” edited by herself, Léa Renard, and Marianne Braig. The contributions in this volume systematically draw on Orlando Patterson's sociology of slavery and the European ideal of freedom. Against this background, the authors argue for a socio-historical approach to capture the dynamics of the different dependencies of slavery and labour. Theresa Wobbe will be joined by Claudia Jarzewobski, BCDSS Professor for Early Modern History and Dependency Studies, and Eva Marie Lehner, BCDSS Postdoctoral Researcher. During the book discussion, Theresa Wobbe, Claudia Jarzebowski and Eva Marie Lehner will aim to shed light on the intertwining of labour, freedom, and slavery by examining labour relations based on violence and coercion.
Strong Asymmetrical Dependencies: Perspectives from Asia, Past & Present This event addresses the underrepresentation of Asia in labor and slavery studies by focusing on the histories, legacies, and current forms of dependency, slavery, bondage, coerced labor, and forced displacement in Asia. We invite scholars and researchers from all disciplines to submit innovative case studies and contributions on emic perspectives, historiography, memory, archival practices, and digital approaches. The conference will feature paper presentations, thematic sessions, and roundtables, including discussions on the future of the field and digital methodologies. Abstract Submission Deadline: October 31, 2024 Selected Contributions Announced: December 15, 2024 Draft Papers Due: 1 month before the event Funding: Hotel accommodations in Bonn are covered; travel funding prioritizes those without access to travel funds.
This talk explores the life of Crispina Peres, the most powerful trader in Cacheu, a key West African slave port, who was arrested by the Inquisition in 1665. Accused of using treatments from Senegambian healers, she became a target in a broader struggle over faith and power. Professor Green transports us to seventeenth-century Cacheu, revealing its daily life, culture, and the brutal realities of the expanding slave trade. Through Peres’s case, we uncover a globally connected world where women defied imperial patriarchy, challenging the narratives of European dominance.